Recently in Web Culture Category

We in here talkin' about DOCTYPEs

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My thoughts regarding all the noise over HTML 5. With apologies to Mr. Iverson.

We sittin' here, I supposed to be the lead developer, and we in here talkin' about DOCTYPEs.

I mean, listen. We talkin' about DOCTYPEs. Not user experience, not user experience, not user experience. We talkin' about DOCTYPEs.

Not user experience. Not the user experience that I develop and die for. And make every site like it's my last. Not the user experience. We're talkin' about DOCTYPEs, man.

I mean, how silly is that? We're talking about DOCTYPEs.

How it Ends

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I don't play video games, but I've been taken by the meditative, almost surreal promos for Gears of War 2. It's a gory, fast-paced shooter, but the advertising focuses on the art direction—a mash-up of Gothic and Neo-Classical architecture, military and post-apocalyptic sci-fi. Think Starship Troopers meets Prague, in an environment that exudes lost Old World beauty.

"I Have a Rendezvous with Death"

"The Last Day"

If you're wondering (like I did), the poem from the first promo is "I Have a Rendezvous with Death" by Alan Seeger, an American who died fighting for the French Foreign Legion during World War I. And the song in the second Promo is "How it Ends" by Devotchka, a Denvier indie rock group.

This is all in keeping, of course, with the memorable "Mad World" ad for the original Gears of War.

Post-modernism and Mania

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Are you a Christian? Do you make things? Then you should read Matthew Griffin's series on Web Design Worldview, (found via the always thoughtful and wonderfully outspoken Andy Rutledge). Even if you don't make websites, it's a good introduction to applying worldview to your field. I couldn't find an overview page for the series, so here are permalinks to each of the four parts he's published so far (there will be six in total, published every Wednesday).

Speaking of websites: we've launched our official wedding website. May write up a case study if I find time, but I just wanted to note for posterity that it got featured on CSS Mania, the first time a site I've built has been featured in one of the major* CSS galleries. Coolio, and thanks, CSS Mania.

*What defines "major" these days in CSS galleries, anyways? I have no idea. There's like a jillion of them these days, but CSS Mania still seems fairly important.

An Event Apart San Francisco, Day 1

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This is going to sound small-town-boy-in-the-big-city of me, but one of the best parts of attending An Event Apart San Francisco was the commute. Each morning started with a rise on an escalator from the quiet roaring trains and muted conversations of the Montgomery BART station into the urban bustle and dizzying, glittering towers of the Financial District. Joining tailored businessmen and iPodded art students at the crosswalk facing the Palace, I'd cross Market Street and enter the hotel from the New Montgomery Street entrance, where I would be greeted by the majesty of the Garden Court before making a left to the Grand Ballroom and a tasty breakfast.

No one belongs here more than you

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Note: Miranda July's site made the rounds in web design circles a few months back, and this was my initial response to it, cross-posted from a joint blog I run with my friend Gregory.

No one belongs here more than you is the promotional site for Miranda July's book of short stories by the same title. Typing a description of how the site works feels like it would suck it dry of some of its magic (go see it for yourself, then come back here!), but here I go: rather than the expected structure of a website -- a navigational homepage, some pages about the book and where to buy it, perhaps an "About the Author" page -- it consists of a photographed sequence of the author's scrawlings with a marker.

Now whether the author chose to go this route because she doesn't know how to code HTML, or to be brashly different (I suspect a combination of both), what results is code that doesn't validate, navigation that doesn't give you context of where you are on the site (and doesn't even have a way to go back to the home page), content that is not accessible (all the text is in images without associated alt tags, for starters), copy that isn't search-optimized (search engine spiders can't even crawl it, anyways), and a load time that laughs in the face of the "8-second rule." Even the way the navigation works brings us back to David Siegel's seminal, but now oft-villainized book, Creating Killer Websites, what with its concept of entry "tunnels" to draw visitors in, rather than being upfront with your site structure as Jakob Nielsen and dozens of other usability experts would advocate. The site breaks almost every tried-and-true guideline of over a decade of web design, mantras that I work by and passionately advocate.

Yet, I love this site.

In fact, I went through every page of the site in one sitting on my first visit.

Why do I love this site? Because it works.

Wow, this Facebook Newsfeed is really cool!

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The irony of the lashback against Facebook's News Feed and Mini-feed is that most people wouldn't know about the "Students against Facebook News Feed (Official Petition to Facebook)" group if it weren't for seeing it in their friend's mini-feeds.

If you really have a problem with the feeds, I dare you to ignore them when you login to Facebook or look at people's profiles.

Kinda hard, ain't it?

Called It

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In my last quarter of college, I was part of a group that did an analysis on LiveJournal for our marketing management class. Looking for ways to increase their market share of bloggers, we suggested that they introduce an "Enhanced" free service - supported by banner ads - that would offer more features than the basic free account. One of our deliverables was this ad that LiveJournal would run to advertise the new service.

Remarkably, LiveJournal has introduced a "Sponsored+" service just like our proposed "Enhanced" service.

Four Things

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Some people are too cool for memes.

I'm not. In fact, I was just waiting on Donaville to get tagged, because I knew she'd tag me. Isn't that sad?

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